Reverse Glass Painting of a Sikh Nobleman – Late 19th Century Period - Meiji They were made from camphor

They were made from camphor wood

This very decorative lacquer work panel is a fragment from a lacquered altar table originating from Fujian Province and is decorated with vermillion lacquer and gilt highlights

a technique with early roots in the Tang Dynasty (618–907 AD) that flourished during the Ming and Qing dynasties

Known as a Spring bench

also called Sheesham wood and is painted in a flat beige colour

Reverse Glass Painting of a Sikh Nobleman – Late 19th Century Period - Meiji They were made from camphorA remarkable reverse glass painting depicting an armoured Sikh nobleman, most likely Maharajah Sher Singh or Rajah Lal Singh, shown brandishing a sword. Executed in gouache and gold on glass, the portrait captures the resolute dignity of the Sikh court during the final decades of the nineteenth century, its brilliance preserved through the luminous medium of glass. This work draws inspiration from celebrated portraits such as Schoeffts oil of